Wednesday, May 19, 2010

Notes on "Illyria"

I've cribbed much of the following from back-and-forth responses about "Illyria" to the Yahoo "Twinloss" group. The chunks have been re-arranged for the sake of clarity (and to eliminate repetitive free-association strings).
I had written "Illyria" some years before, but hadn 't posted it to this particular group. At the time, most of my poems weren't about anything personal. This one was, but I didn't post it to the one group that would "get it" most deeply.
Maybe it was from fear of opening an emotional can of worms, maybe I was distracted by the upcoming trip that would side-track me into the UK for a few years, or maybe it was "a blonde moment." Hair colour is the easiest excuse.

 

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NOTES: on "Illyria," and sundry other matters
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Thank you all for your kind responses.
I don't usually explain anything about my poetry, but with this group, I will because . . . well . . . I'm a sibling short and you all know what that's like.
So consider yourselves adopted. "Illyria" is all about the Shakespeare - the legacy of being raised by two Brit parentos (both with a love of English literature).
"Illyria" was written for my brother on our birthday some years ago - the fifth birthday after he died.
Someone asked me what I meant by calling Marcus and myself "Twelfth Night twins."
A Twelfth Night twin is a twin born January 6 (Twelfth Night). That is my/our birthday.
"Twelfth Night," by Willie the Shakes, is about two twins who each believe the other was drowned in a shipwreck.
Viola describes herself as "all the sons of my father's house, and all the daughters, too."
The song "Come Away, Death," contains the phrase "in sad cypress be laid." It was the popular coffin material.
And the twins are described thus: "An apple cleft in twain is not more twin."
When Sebastian and Viola are re-united, Sebastian declares, "I should let my tears fall upon your cheek /And say, "Thrice welcome."
Oh, and if wishes were fishes, I'd give much for that kind of reunion.
In setting up the Queer Poetry group here [on Yahoo!/YaHell], a newer member from the now-defunct previous group asked me a question that I hadn't thought to mention.
      Q: "What does 'frater geminus superstes' mean?"
      A: It means "the brother twin survives."
There's a poem in the thought of "surviving vs. living." I'm living, and I believe Marcus still does - and not only in my heart.
Half a lifetime ago, when we were sixteen, he was my hero and my champion.
And he still is. Love never dies.
(love ya, bro)
Happy New Year and much love to all here, 

Todd, twin to Marcus

Thursday, April 29, 2010

Luna Triformis

☽◯☾  Luna Triformis ☽◯☾

As the Maiden holds the cup,
Containing the life to be,
She smiles at the secrets within her.
The Mother grows round with life;
Her smile beams beams fully
As she gives birth -
Full-flowing the secrets
Bearing sacred wisdom
To a thirsting earth.
The Crone of the little night
Oncoming gathers life again
Ending the cycle of all;
And she too smiles
With wisdom and love
For all the children she has been.
And brought, and shall be
Again.


☽◯☾


===========


Blessed we've met
With Joy in heart,
And triply blessed be
As we depart
From the circle
We form for her above,
Peace to all, and joy - and love.

☽◯☾ 

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Written for a drum circle - Full Moon, 28th April 2010

Friday, April 16, 2010

Day of Silence

4/16/2010
(For Monica, on the Day of Silence)

Today, the Day of Silence,
Virginia Woolf's only record
Of her voice will speak for me.

I'm observing silence
On Facebook, with others,
Yet one of them in the social net
Shared this item.

Virginia was also silenced,
In her way, by her circumstance
Of time and place and class and sex,
Entangled in a social net
That dragged her down

She took pen in hand,
Perhaps thought of Vita,
Before filling her pockets
With rocks, and strolled forth
From a room of her own
To the river.

Her voice, I knew, spoke on
In print on page, black and white
Photographs and images.

But I did not know
That she would sound
Exactly as I'd imagined:,
Reserve, clarity, precise diction
Weaving elegant phrases,
Stating things
"Past examining."

============================
c.  2010  Todd Eliot



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http://www.youtube.com/watch?v=E8czs8v6PuI&feature=related







NOTE:  This recording had me saying (as I often do) "There's a poem in there somewhere."  There was.  This time, it poured out like water, instead of being carved or cobbled together.

- T -

Wednesday, January 6, 2010

Twelfth Night - 1/06/2010: Notes on "Sacrament"

Today, January 6th is my/our birthday.

And, in looking over these journal entries, I find that I left something out of my introductory material to "Sacrament," posted while groggy, as it was near midnight of Christmas day.

So I've added it here. The entire piece was first posted in Yahoo's "Twinloss" group.

Marcus has been gone for twelve years, now, and six years ago, I wrote a poem at Christmas in memory of him. I write similar pieces on our birthdays, some holidays like Ancestor Night, and the anniversary of his death.

Tomorrow is Boxing Day, which we celebrate because my parents are Brits.

We also celebrate because we've always celebrated pretty much everything. Day of the Dead, Hallowe'en, Reformation, All Souls, All Saints, Solstice, Christmas, Boxing Day, Kwanzaa, the Saturnalia . . . and that's just the last three months of the year.

So, although I'm Wiccan, I went back to our old church last night for the late Christmas Eve candlelight service of hymns and lessons at the church Marcus and I attended as children. At my request, Brian didn't come with me. I didn't know if I was going to be able to keep my friendly mask up, or whether my facade would shatter and I'd start to weep uncontrollably.

We were mirrors of each other, not only physically, but somewhat in our views: at 13, we diverged for the first time in our lives. Marcus and I had been acolytes and altar boys, and it all felt wrong to me. More than ever, I felt that we were "those two cute twin boys at the service." And the Anglican/Church of England view of the world seemed, to me, limited, as I began to be truly aware of my sexual identity. And I began exploring other paths.

Marcus continued, steadfast, progressing over the next few years to crucifer and scripture-bearer, assisting at communion, and at 18 he was told that he would soon be asked to fill a position in the vestry that had recently been vacated - temporarily.

I was there as he assisted in giving communion for the first time. His face was beatific. I've never seen him look more beautiful.

And out of respect and love for him, I took communion. I intended to continue taking it at Christmas and Easter, for the sake of Marcus and the Parentos. But just before Advent, at the tail end of the long, green season of Pentecost, Marcus died.

I'd been in a coma, coming out of it to see Mum. And with one look at her face, I began screaming, because I knew Marcus was gone, and we'd never meet in this life again.

After that, I was well-nigh catatonic for months. I was aphasic - couldn't/wouldn't speak. And I was blessedly amnesiac about the whole episode of the car crash. I found out later that Marcus had died in my lap, killed almost instantly. I still have no memory of it.

Time passed, bones healed, and the aphasia resolved into a recurrence of childhood stuttering and stammering that had made me fodder for bullies. But this time, there was no Marcus to be my champion.

And so I began pretending that I was him, doing what he would do, speaking boldly and acting quickly and decisively. I was acting "as if" I were him. It was a game we'd been able to pull off a few times in grades four through our sophomore years. And Marcus, I discovered, was still with me . . . every memory, every moment of him.

My dreaming was blessed with his visits. We'd run and wrestle and dash into the surf on the beach, as we always had, and we'd talk of many things. Not cabbages nor kings, nor sex (Marcus had told me he was bisexual when I told him I was gay). Unlike our actual real-life conversations, these were about life and after-life and Heaven and the Summerland. I think of these meetings with him as comforting manifestations of the Australian Aboriginal dream-time.

As my stammering smoothed out, I relied less and less on playing the role of doing things as Marcus might have.

Years later, around Ancestor Night and our birthday, I still dream of him. He is still my champion, and the dreams are so vivid that I consider them true. "Dreaming true" is a way of divining, of tapping into the universal knowledge of good, evil, truth, and masks.

Six years ago, very early Christmas morning, remembering my bro, and grateful for the time we did have, I wrote a poem called "Sacrament." . . .

This year, I went back to our old church [ where Marcus and I had served as altar boys] for the late Christmas Eve service of lessons, carols, and candle-light.

I made it through the service very well, although at "on Earth as it is in Heaven" I choked up for a bit. I was wiping my eyes, and a lady in the pew across from me saw me and smiled, and nodded . . . and then she passed me a tissue, which really set me off.

"You're Marcus's brother, aren't you?" she asked quietly. I nodded, and she continued, "We miss him. I'm so sorry."

And I thanked her.

I am proud to be thought of as "Marcus's brother."

Queer Poetry

My friend Reed and I, after meeting in person for only the fifth time (as he reminded me), were discussing the old Yahoo GayPoetry group.

It seemed that it had been dormant for months.

And then I found Gerald Miller's obit via searching the Web - or thought I did.  I'm still not sure.  The matter seems to be in limbo at the moment..

Gerald was one of my oldest and dearest "on-line" friends. I cried when I realized that I wasn't going to get to correspond with him and/or chat via Yahoo Messenger again.

R suggested that we revive the group, creating "GayPoetsGroup2." And nearly a month later, I re-connected with an old PlanetOut chat friend and met another kindred spirit on Paltalk.

So we grew to ten people.  And then I discovered that someone had erred - we had been classified by Yahoo! Groups as "Adult," and were therefore banned/omitted from the directory.  Those looking for the group couldn't find us.

* sigh *

I was all for writing it off, giving up, and accepting the inevitable:  people just don't care about poetry, about LGBT poetry or poets, or anything of that queer kind. 

Reed, however, demurred.  He encouraged me to take a deep breath and consider re-grouping.  He even offered to carefully research things so that the group would be properly classified and available to anyone looking for it. 

He also reminded me of Gerald Miller's original group home page statement:

Gerald founded Gay Poetry to be (in his own words, "a place where Gays can develop their Poetic Voice to speak about their lives. The idea is to have a nurturing focal point for Gay-oriented poetry, for its discussion and dissemination. I think this way we can be of assistance to each other in speaking to the wider world about our place in it."


And thus was born "Queer Poetry."  I kind of like the in-your-face notion of "queer" being a reflection of an odd, different, frequently outcast kind of person.

It certainly suits me.

We've kept Gerald's original home page statement, and Queer Poetry's new home page expands it with this:

I hope you'll find Queer Poetry to be a place to share your work, comment constructively and supportively, and explore your creativity.

All GLBTIQ poets, appreciators of poetry, or friends are welcome - regardless of sexual orientation. We ask that you be at least 16 to post messages, as that's the age of majority in most European nations (and we welcome queer poets from all over the globe).


The only restrictions are purely subjective: no ad homenim attacks, no flaming, no spamming.
The group is open to anyone who enjoys poetry or discussions of it, or writing it. By anyone, we mean regardless of sexual orientation. All are welcome.

Here's the URL: http:///groups.yahoo.com/group/QueerPoetry/

And now, we have eleven members.

And so it goes on growing.